Coming up for air: Tron, writing, Arisia

Yesterday was the first time in a week anybody in our house felt like human beings — we've all had this "7-day" virus that's been going around —so it was great to get out of the house with Jack to see Tron Legacy.

Top-line review: wicked awesome. What struck me most was the way the film did not "talk down" on the technical stuff, either IRL or on the Grid. You probably know the plot: genius game designer Kevin Flynn vanishes into the cyberspace of his creation; years later, his son Sam follows him in, action ensues. There's a sequence where Sam is attempting to hack into his dad's system, and instead of the typical Hollywood "computer screens" you see in movies, you get a fairly reasonable series of unix command lines and output. There's a brilliant beat where Sam contemplates a critical dialog box, and his facial expression as he makes a selection is spot-on. It's a small moment, but it is deeply authentic.

And the intertextual references inside the Grid are delightful and complex. In addition to the War Games throwaway line, there are visual homages to The Matrix, Bladerunner, and The Fifth Element. Oh, and Shakespeare. Maybe it's just because I'm a total Tempest fanboy, but I found it hard not to read Kevin Flynn as Prospero and Quorra as comprising Miranda and Ariel. You can also read the film in interesting ways against Metropolis, which was, after all, the first significant movie featuring artificial life (leaving aside, for a moment, the 1920 Golem.) Without spoilers, anyone watching both films will find thematic similarities in the characters and the resolution.

It's energizing to see good sf on the screen. On the home front, I recently put the finishing touches on "Umbrella Men," a 9,000-word sf story which will go out for submission shortly, and I've spent the last couple of days working on a companion web site. This is the first project where I've seen the opportunity to create an "artifactual fiction" component, and it's been a lot of fun. I'll post links as soon as I sell this puppy.

And whilst on the topic of science fiction, I got my schedule for Arisia, which is the awesome sf convention in Boston coming up in January. It's the only con that I try to do every year, and it's a really great mix of print, media, gaming, anime, and general weird fun. They put me on every panel that I asked for, so I've got 8 slots over three days, including a discussion of the 50th anniversary of Stranger in a Strange Land, a James Cameron retrospective, and one on the future of school.(There just might be a few folks in Boston passionate about education... :)

I'll post the full schedule after the holidays.

Comments

What did you make of the anti-DRM subtext? Pretty odd!

Hi, Cory...
Yeah, it is kind of odd for Disney, who put the most annoying anti-copy schemes on their DVDs, to have such a powerful anti-Digital Rights Management message front and center in a movie. And yet, it was thematically consistent; I mean, otherwise, wouldn't you, well, sort of own the ghosts that emerge from the machine? That would be icky. And hey, it's just words, right? Characters can say things in films that are not reflections of corporate policy, especially if they get arrested immediately :)

I totally loved the way Bridges played it (and the way it was written) as the culmination of the Stewart Brand/Doug Englebart/Alan Kay left-coast launchpad of computing as McLuhan's "extension of the unified sensorium." Of course his son is going to grow up to be a free software evangelist. It's nice to see a nod of the head to the arc of the past 50 years of computing.

By the way -- really think you nailed it in your review on BoingBoing. For any major studio picture to get this part of the story right is indeed surprising and delightful.

Cheers,
-j

Hi John.

You forgot to mention the completely awesome music by Daft Punk. The bar scene features a cameo appearance by them as the DJs. I didn't go see the movie for all the "intertextual references", I went to see an audio visual 3D mindblower and the movie did not disappoint. Add in music by Daft Punk and it sure was a good time.